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・ Henri de France
・ Henri de Gaulle
・ Henri de Gissey
・ Henri de Gondi
・ Henri de Gondi (cardinal)
・ Henri de Gondi, duc de Retz
・ Henri de Jordan
・ Henri de Kérillis
・ Henri de La Ferté-Senneterre
・ Henri de la Rochejaquelein
・ Henri de la Tour
・ Henri de La Tour d'Auvergne, Duke of Bouillon
・ Henri de la Tour d'Auvergne, Vicomte de Turenne
・ Henri de La Trémoille
・ Henri de Lacaze-Duthiers
Henri de Latouche
・ Henri de Laulanie
・ Henri de Lubac
・ Henri de Man
・ Henri de Massue, 1st Marquis de Rouvigny
・ Henri de Massue, Earl of Galway
・ Henri de Mondeville
・ Henri de Montfort
・ Henri de Nesmond
・ Henri de Noailles
・ Henri De Page
・ Henri De Pauw
・ Henri de Raincourt
・ Henri de Rigny
・ Henri de Rothschild


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Henri de Latouche : ウィキペディア英語版
Henri de Latouche

Hyacinthe-Joseph Alexandre Thabaud de Latouche, commonly known as Henri de Latouche (2 February 1785 – 9 March 1851) was a French poet and novelist known for his publication of André Chénier and early encouragement of George Sand. (His family name is also seen as "Thabaud de La Touche" and even sometimes "Delatouche".)
He was born at La Châtre (Indre).
Among his works may be distinguished his comedies: ''Projets de sagesse'' (1811), and, in collaboration with Emile Deschamps, ''Selmours de Florian'' (1818), which ran for a hundred nights; also ''La Reine d'Espagne'' (1831), which proved too indecent for the public taste; a novel, ''Fragoletta ou Naples et Paris en 1799'' (1829), which attained a success of notoriety; ''La Vallée aux loups'' (1833), a volume of prose essays and verse; and two volumes of poems, ''Les Adieus'', (1843) and ''Les Agrestes'' (1844).
Latouche's chief claim to remembrance is that he revealed to the world the genius of André Chénier, then only known to a limited few. The remains of the poet's work had passed from the hands of Daunou to Latouche, who had sufficient critical insight instantly to recognize their value. In editing the first selection of Chénier's poems (1819) he made some trifling emendations, but did not, as Beranger afterwards asserted, make radical and unnecessary changes.
Latouche was guilty of more than one literary fraud. He caused a licentious story of his own to be attributed to the duchess of Duras, the irreproachable author of ''Ourika''. He made many enemies by malicious attacks on his contemporaries. The ''Constitutionnel'' was suppressed in 1817 by the government for an obscure political allusion in an article by Latouche. He then undertook the management of the ''Mercure du XIXe siècle'', and began a bitter warfare against the monarchy.
After 1830 he edited ''Le Figaro'', and spared neither the liberal politicians nor the romanticists who triumphed under the monarchy of July. In his turn he was violently attacked by Gustave Planche in the ''Revue des deux mondes'' for November 1831. But it must be remembered to the credit of Latouche that he did much to encourage George Sand at the beginning of her career.
The last twenty years of his life were spent in retirement at Aulnay.
Sainte-Beuve, in the ''Causeries du lundi'', vol. 3, gives a not too sympathetic portrait of Latouche. See also George Sand in the ''Siecle'' for the 18th, 19th and 20 July 1851.
==References==

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